{"id":188,"date":"2022-11-21T10:39:06","date_gmt":"2022-11-21T10:39:06","guid":{"rendered":"https:\/\/fundicionartisticaull.wordpress.com\/?page_id=188"},"modified":"2024-05-23T20:29:12","modified_gmt":"2024-05-23T20:29:12","slug":"porfolio-3","status":"publish","type":"page","link":"https:\/\/wp.ull.es\/fundicionartisticaull\/porfolio-3\/","title":{"rendered":"PO\u00c9TICAS DE PESO"},"content":{"rendered":"\n
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PO\u00c9TICAS DE PESO <\/h4>\n\n\n\n
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Adasat Hern\u00e1ndez Le\u00f3n <\/strong><\/p>\n\n\n\n

\u201cLa leyenda de Toyotama-hime y Hoori\u201d, 2022. <\/p>\n<\/div>\n<\/div>\n\n\n\n

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Alba Dorta<\/strong><\/p>\n\n\n\n

\u201cEntrop\u00eda femenina\u201d, 2021.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Alejandro Hern\u00e1ndez P\u00e9rez <\/strong><\/strong><\/p>\n\n\n\n

\u201cLa Inocencia, La Tapadera y La Denuncia\u201d, 2022.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Alejandro Hern\u00e1ndez<\/strong><\/p>\n\n\n\n

\u201cMercanc\u00eda\u201d 2022<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Alejandro Hern\u00e1ndez <\/strong><\/p>\n\n\n\n

\u201cAngustia\u201d 2022. <\/p>\n<\/div>\n<\/div>\n\n\n\n

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Alejandro Hern\u00e1ndez<\/strong><\/p>\n\n\n\n

\u201cDependencia\u201d, 2022.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Anabel Hern\u00e1ndez Rodr\u00edguez<\/strong><\/strong><\/p>\n\n\n\n

\u201cTorre\u201d, 2022.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Anabel Hern\u00e1ndez Rodr\u00edguez<\/strong><\/p>\n\n\n\n

\u201cMatrioshka\u201d 2022<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Antonella Ten-Hoever P\u00e1ez<\/strong><\/p>\n\n\n\n

\u201cMujer: sustento de vida\u201d, 2022.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Antonella Ten-Hoever P\u00e1ez<\/strong><\/p>\n\n\n\n

\u201cMujer: guerrera de ej\u00e9rcito\u201d, 2022.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Aramis Dieppa Mach\u00edn<\/strong><\/p>\n\n\n\n

\u201cM\u00e1scaras Fang\u201d y \u201cArmas\u201d, 2022<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Claudia Bola\u00f1os<\/strong><\/p>\n<\/div><\/div>\n\n\n\n

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Concepci\u00f3n Calvo Benito<\/strong><\/p>\n\n\n\n

\u201cEnredo\u201d, 2022.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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D\u00e1maris Ojeda<\/strong><\/p>\n\n\n\n

\u201cJaque\u201d, 2022.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Dilara Falc\u00f3n Guerra<\/a><\/strong><\/p>\n\n\n\n

\u201cF1\u201d, 2022.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Dilara Falc\u00f3n Guerr<\/a><\/strong>a<\/strong><\/a><\/p>\n\n\n\n

\u201cG1\u201d, 2022.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Dilara Falc\u00f3n Guerra<\/strong><\/p>\n\n\n\n

\u201cG2\u201d, 2022.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Dilara Falc\u00f3n Guerra<\/strong><\/p>\n\n\n\n

\u201cF2\u201d, 2022<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Dilara Falc\u00f3n Guerra<\/strong><\/a><\/p>\n\n\n\n

\u201cF3\u201d, 2022<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Efr\u00e9n D\u00edaz <\/strong><\/p>\n\n\n\n

\u201cDuales. Ensayo N.1\u201d, 2022<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Eloisa Cubas<\/strong><\/p>\n\n\n\n

\u201cFamilia ensamblada\u201d, 2022 <\/p>\n<\/div>\n<\/div>\n\n\n\n

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Eloisa Cubas<\/strong><\/strong><\/p>\n\n\n\n

\u201cFamilia nuclear y extendida\u201d, 2022 <\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Emma Marting<\/strong><\/strong><\/p>\n\n\n\n

\u201cEl mito roto\u201d, 2022<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Erika Ravelo Mendoza<\/strong><\/strong><\/p>\n\n\n\n

\u201cDistante\u201d, 2022<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Estefan\u00eda<\/strong> <\/p>\n\n\n\n

2020 <\/p>\n<\/div>\n<\/div>\n\n\n\n

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F\u00e1tima Acosta<\/strong><\/strong><\/p>\n\n\n\n

\u201cLa Copa\u201d, 2021 <\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Fran Garc\u00eda<\/strong><\/p>\n\n\n\n

\u201cHorizontalidad I, II y III\u201d, 2022<\/p>\n\n\n\n

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Francisco Moreno<\/strong><\/p>\n\n\n\n

\u201cG\u00e0bies\u201d, 2022 <\/p>\n<\/div>\n<\/div>\n\n\n\n

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Freya D\u00edaz Ja\u00e9n<\/strong><\/p>\n\n\n\n

\u201cAnquilosada en cuerpos desconocidos I\u201d, 2022 <\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Freya D\u00edaz Ja\u00e9n<\/strong><\/p>\n\n\n\n

\u201cAnquilosada en cuerpos desconocidos II\u201d, 2022<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Freya D\u00edaz Ja\u00e9n <\/strong><\/p>\n\n\n\n

\u201cAnquilosada en cue<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Gara \u00c1lamo<\/strong><\/p>\n\n\n\n

\u201cAutopsia del ed\u00e9n\u201d, 2021 <\/p>\n<\/div>\n<\/div>\n\n\n\n

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Imobach<\/strong><\/p>\n\n\n\n

\u201cReflexus\u201d, 2022<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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In\u00e9s <\/strong>Arencibia<\/strong><\/p>\n\n\n\n

\u201cGolpe de Ariete\u201d, 2022<\/p>\n<\/div>\n<\/div>\n\n\n\n

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In\u00e9s Hern\u00e1ndez <\/strong><\/strong><\/p>\n\n\n\n

\u201cMoldes\u201d, 2021<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Irene Su\u00e1rez<\/strong><\/p>\n\n\n\n

\u201cInstantes\u201d, 2022<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Irene<\/strong> Su\u00e1rez<\/strong><\/p>\n\n\n\n

\u201cFragmentos de un camino\u201d 2022<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Irene Vela<\/strong><\/strong><\/p>\n\n\n\n

\u201cCaut\u00edvame\u201d, 2022<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Irene Vela<\/strong> <\/p>\n\n\n\n

\u201cReacci\u00f3n\u201d, 2022<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Jose Bethancor<\/strong><\/p>\n\n\n\n

\u201cMiocardiopat\u00eda de Takotsubo\u201d, 2022<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Jose Bethancor<\/strong><\/p>\n\n\n\n

\u201cA domicilio\u201d y \u201cCuerpos a la deriva\u201d, 2022<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Juan Carlos Albaladejo<\/strong><\/p>\n\n\n\n

\u201cSin titulo\u201d, –<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Judit Rodr\u00edguez<\/strong> <\/p>\n\n\n\n

\u201cTexturas del mar\u201d 2022<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Mar\u00eda Betancor <\/strong><\/strong> <\/p>\n\n\n\n

\u201cNelumbo Nucifera\u201d<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Mar\u00eda Betancor <\/strong><\/p>\n\n\n\n

\u201cFasciaci\u00f3n I\u201d, 2022<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Mar\u00eda Betancor <\/strong><\/p>\n\n\n\n

\u201cFasciaci\u00f3n II\u201d, 2022<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Mar\u00eda Betancor <\/strong><\/p>\n\n\n\n

\u201cFasciaci\u00f3n III\u201d, 2022<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Ma\u00ef Diallo<\/strong><\/p>\n\n\n\n

\u201cAntropoceno\u201d, 2021 <\/p>\n<\/div>\n<\/div>\n\n\n\n

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M\u00f3nica Hern\u00e1ndez<\/strong><\/p>\n\n\n\n

\u201cHibridaci\u00f3n gen\u00e9tica\u201d, 2022<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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M\u00f3nica Hern\u00e1ndez <\/strong><\/strong><\/p>\n\n\n\n

\u201cHibridaci\u00f3n gen\u00e9tica\u201d<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Natalia Herrera<\/strong><\/p>\n\n\n\n

\u201cAlter ego\u201d, 2021\/2022<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Rut Cavero <\/strong><\/p>\n\n\n\n

\u201c\u00bfSiempre-vivas?\u201d, 2022<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Rut Cavero<\/strong><\/strong><\/p>\n\n\n\n

\u201c\u00bfSiempre-vivas?\u201d, 2022<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Sara P\u00e1rquez<\/strong><\/p>\n\n\n\n

2019<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Sara P\u00e1rquez<\/strong><\/p>\n\n\n\n

\u201dParachute cabin\u201d, 2022<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Sara P\u00e1rquez<\/strong><\/p>\n\n\n\n

2020 <\/p>\n<\/div>\n<\/div>\n\n\n\n

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Soledad del Pino<\/strong><\/strong><\/p>\n\n\n\n

\u201cSin t\u00edtulo\u201d- <\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Overton<\/strong><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

PO\u00c9TICAS DE PESO Adasat Hern\u00e1ndez Le\u00f3n \u201cLa leyenda de Toyotama-hime y Hoori\u201d, 2022. Alba Dorta \u201cEntrop\u00eda femenina\u201d, 2021. Alejandro Hern\u00e1ndez P\u00e9rez \u201cLa Inocencia, La Tapadera y La Denuncia\u201d, 2022. Alejandro Hern\u00e1ndez \u201cMercanc\u00eda\u201d 2022 Alejandro Hern\u00e1ndez \u201cAngustia\u201d 2022. Alejandro Hern\u00e1ndez \u201cDependencia\u201d, 2022. Anabel Hern\u00e1ndez Rodr\u00edguez \u201cTorre\u201d, 2022. Anabel Hern\u00e1ndez Rodr\u00edguez \u201cMatrioshka\u201d 2022 Antonella Ten-Hoever P\u00e1ez \u201cMujer: […]<\/p>\n","protected":false},"author":441,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-large-header","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-188","page","type-page","status-publish","hentry"],"yoast_head":"\nPO\u00c9TICAS DE PESO - Fundici\u00f3n Art\u00edstica ULL<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/wp.ull.es\/fundicionartisticaull\/porfolio-3\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"PO\u00c9TICAS DE PESO - Fundici\u00f3n Art\u00edstica ULL\" \/>\n<meta property=\"og:description\" content=\"PO\u00c9TICAS DE PESO Adasat Hern\u00e1ndez Le\u00f3n \u201cLa leyenda de Toyotama-hime y Hoori\u201d, 2022. Alba Dorta \u201cEntrop\u00eda femenina\u201d, 2021. Alejandro Hern\u00e1ndez P\u00e9rez \u201cLa Inocencia, La Tapadera y La Denuncia\u201d, 2022. Alejandro Hern\u00e1ndez \u201cMercanc\u00eda\u201d 2022 Alejandro Hern\u00e1ndez \u201cAngustia\u201d 2022. Alejandro Hern\u00e1ndez \u201cDependencia\u201d, 2022. Anabel Hern\u00e1ndez Rodr\u00edguez \u201cTorre\u201d, 2022. 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